KILOSGALLERY

KILOS is born as a body suspended between matter and time. Copper and lead preserve its weight, while the archaic, primordial shape of the fish traverses the artwork like an ancient breath.
It is not merely a figure: it is a passage, a vital current, a memory of what flows and transforms without ever stopping.
Gears insinuate themselves into its structure like signs of a constructed, human time, while wood preserves its more organic, fragile, earthly rhythm.
In this dialogue between elements, the sculpture becomes an unstable balance between nature and mechanism, between what lives and what measures living.

Light, an integral part of my sculptures, does not limit itself to illuminating: it changes. It alters color, intensity, temperature, and with it changes the very perception of the form.
The fish dissolves and recomposes, emerges or recedes, as if it existed in multiple states simultaneously. The matter, thus, is never definitive: it is crossed by a continuous possibility of transformation.
Behind it, thin copper sheets, anchored at a single point, vibrate at the slightest current of air. They float silently, evoking the sea—not as a representation, but as a presence.
It is a nearly imperceptible yet living movement, which amplifies the artwork’s sense of instability and breath.
KILOS is not a stationary object: it is a sensitive system. An organism that reacts to light, to air, to the gaze.
A fragment of time that continues to flow.