KEPHIRONGALLERY

In this recomposed matter a contemporary archetypal figure takes shape: a mother goddess, not original but regenerated.

2025KEPHIRON

Kephiron is born from fragments, from shortcomings, from gears that once had a precise function and now offer themselves to a new order.

Kephiron

Brass – Copper – Bronze – Aluminum – Natural patinas
Base with directional multichromatic spotlights

H45-W30-D35

KEPHIRONGALLERY

Kephiron is born from fragments, from shortcomings, from gears that once had a precise function and now offer themselves to a new order. It does not hide its fractures: it welcomes them, displays them, and transforms them into language. It is a presence built precisely from what has been lost, finding its fulfillment in the light.

The light does not merely illuminate it: it questions it, traverses it, reveals its internal tensions, ignites the voids, and makes them a living part of the form. Every surface reflects and retains, every interstice becomes breath. Thus, Kephiron is never static: it changes with the gaze, with the time of day, and with the distance of the observer. Within this recomposed matter, an archetypal figure takes shape: a contemporary mother goddess, not original but regenerated. This is not the motherhood of passive protection, but that of a strength that chooses, builds, and moves forward.

It is a determined femininity, aware of its own wounds and, precisely for this reason, capable of a future. The gears, stripped of their mechanical function, become symbols of an inner movement: no longer the closed cycle of the machine, but an open, human becoming. Kephiron is a tension toward the future, a will taking shape, a balance between fragility and structure. It is a body that does not forget what has been, but does not remain anchored to it. A body that exposes itself to the light to be continually reborn.

EXPRESSIONIN WORKKEPHIRONENLIGHTENED

The Enlightened are not simply lit sculptures.
They are artworks that remain incomplete without the
presence of the viewer who welcomes them.
Light does not serve to show them: it serves to complete them.
Each sculpture treasures its own light source,
an active heart that makes the form changing, unstable, alive.

The artwork changes with the intensity of the light, with the direction of the spotlights, and with the color chosen by those who experience it.
The sculpted matter is no longer definitive: it becomes a possibility. The artist does not impose a single vision. He invites a dialogue.

In this sense, the Enlightened speak of the deep
relationship between form and consciousness.
Light does not only reveal the artwork: it reveals the gaze of the observer.
Every luminous configuration is a silent conversation
between the artist and the owner of the artwork.