CLOTOGALLERY

Different metals, a single breath: matter recomposes
itself into a form that treasures light, memory, and transformation.

2012CLOTO

A form born from the encounter of different metals, united by a research that transforms matter into light, color, and thought.

Cloto
Silver – Copper – Bronze – Brass
Hot patinated with Acetic Acid

H30-W18-D15

CLOTOGALLERY

Clotho, the first of the three Moirai (Fates), weaves the thread with which the canvas of life is intertwined.
In my sculpture, the bronze canvas that must be made first supports the other metal filaments in an indissoluble and inextricable material intertwining.
In this way, I regain the face: the matrix bronze acts as an almost invisible support; the copper, tin, and silver, bound together, give shape to the thought.
However, partial, missing, and undefined, the intersection and the set of metals return to me only in part the half-closed eyes gaze.
This is how I wanted it: absorbed, thinking, concise like a Japanese haiku. That is how it is.

The artwork was created using the lost-wax casting technique, modified to perform multiple pours with metals of different qualities. The aim is to create an artwork composed of multiple colors related to the presence of different metals intimately linked together to reconstruct the original shape designed in clay. This technique was developed by the author specifically to achieve this result.
Following the finishing of the parts, the various components are assembled through micro-welding. Finally, a surface patination treatment is carried out using acids and oxidizing substances.
The artwork is entirely conceived, created, and produced by the author.
L’opera è pensata, realizzata e prodotta integralmente dall’autore.

EXPRESSIONIN WORKCLOTOFILIGREES

This technique is an original invention of mine, allowing the creation of sculptures while keeping the different metals physically separated.

These partial sculptures are crafted using a method derived from lost-wax casting. However, unlike classic casting, the metals that make up the molten pour remain distinct and separated even after solidification.

This is achieved through a technical process I personally devised and perfected.
The resulting sculpture is composed of pure copper, silver, brass, and bronze, subsequently finished with patinas and chemical agents.

ARTWORKCLOTOAWARDS

Paolo Miceli participates in the IX Edition of the “Premio Open Art 2012” (Open Art Award) – Sculpture Section.
2012 – Open Art Award – 3rd place – Award Ceremony with GIMMY GHIONE – Sale del Bramante, Rome.

2012 – XXX° Fiorino d’Oro – Municipality of Florence. 1st place, Sculpture section, Palazzo Vecchio, Florence.
2013 – Primal Energy Award – Finalist, Piombino.